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Headliner White closed out the first day of the beachfront festival in Alabama with a set long on hits, solos.By James Montgomery Jack White performs at Hangout Fest in Mobile, AL Photo: WireImage GULF SHORES, Alabama — Judging by his cadaverous complexion, Jack White probably doesn't make it out to the beach all that often. Which is probably why his Friday night set at the Hangout Festival felt less like a headlining gig and more like one long (long) victory lap: He was determined to enjoy the experience. Sure, White took the stage long after the sun had set over the stretch of white-sand beach the Hangout calls home (it's definitely the only fest where going barefoot is not only a viable option, but practically encouraged), but spurred on by the cheers of a raucous crowd and cooled by the gentle breeze of the Gulf, he tore through a wild 90-minute set. It was one that dove deep into his back catalog — featuring not only White's new Blunderbuss tunes, but also songs from the White Stripes, the Dead Weather, the Raconteurs and the Danger Mouse-helmed Rome project too — and saw him break out roughly 100 fret-assaulting guitar solos, two backing bands ... and exactly one fedora. He spoke barely a word (and nary a metaphor) during his time onstage, preferring instead to let the music do the talking. Or, more precisely, the yelling. Because from the moment he kicked things off with a high-octane version of the Stripes' "Dead Leaves and the Dirty Ground," to the second the final echoes of "Seven Nation Army" were escaping out into the night air, White was plenty loud. And equally loose. "I Cut Like a Buffalo," "Love Interruption" and (especially) "Ball and Biscuit" each unspooled over several minutes, with White stomping and pulling solos from his guitar, goofy smile on his face, while both of his crack backing bands followed close behind. It was clear that, on Friday night, White wanted to jam. Which is why, in just about every conceivable way, this wasn't the kind of show you'd expect from the normally uptight White. Of course, he was still dressed like a country mortician and, sure, he made his backing bands dress in near-matching unis (black for his male band, the Buzzards; white for the female counterpart, the Peacocks), and the lighting scheme onstage never strayed from "ethereal blue," but he seemed to draw genuine joy from letting his songs breathe: He turned "Hotel Yorba" into a hoedown, lent extra punch to new tracks like "Sixteen Saltines" and "Hypocritical Kiss" and led the audience in an extended chant during "Army," which has almost inexplicably become his signature song on both sides of the Atlantic. Maybe it had something to do with the Gulf Stream, the postcard-perfect setting of the Hangout Fest (they have palm trees on the beach!) and the day of terrific music he was closing out — Friday also featured standout sets from Wilco, Alabama Shakes and Yelawolf, to name just a few — or maybe White just wanted to cut loose. But last night, his solos rang loud and proud, his voice was voluminous and creaky in all the right ways, and both of his bands proved worthy traveling partners on the lengthy musical excursions on which he led them. In short, White certainly seems to be enjoying life as a solo artist. Especially when he's playing the songs he made with others. Now, if he could only work on that tan ... you get the feeling he'd become a regular down here at the Hangout. Did you catch Jack White's set at the Hangout Festival? Share your reviews in the comments! Related Artists Jack White

Facebook CEO has created a 'collaborative and connected culture' that may be the future of business. By John Mitchell Mark Zuckerberg Photo: Justin Sullivan/ Getty Images Wearing his signature hoodie and jeans, Facebook co-founder and CEO Mark Zuckerberg rang the bell to open the Nasdaq Stock Market from the company's Menlo Park, California, headquarters this morning as his company went public with the biggest ever initial public offering by a tech company. Going for $38 per share, the offering raised $16 billion for the social networking website, which is inarguably one of, if not the most important and impactful tech company for the millennial generation. Zuckerberg has always been a natural at balancing the demands of running the world's biggest social network, which boasts more than 900 million users around the world, while himself being an example of his generation's focus on being open and forward-thinking without the pretense and show of past business leaders. The self-made billionaire is the ultimate everyman, albeit one with a genius intellect, and it's a side of himself he showed off in earnest last year when MTV visited Facebook HQ for its special, "The Diary of Facebook." "Facebook is a very open company. If you think about what we do, we're trying to give all these people who use our products the ability to share things with their friends and their family," Zuckerberg told MTV News. "The mission is to make the world more open and connected. So we believe that if that's what we're trying to do in the world then that's how we should run the company too." Zuckerberg went on to describe the philosophy with which he runs Facebook, now one of the most financially valuable in the world, and it stands in diametric opposition to how we view the modern corporate executive. There are no sequestered corner offices at Facebook HQ, no CEOs sporting expensive designer suits. "We have this really open floor plan. People are all sitting out near each other. It's easy for everyone to turn to their neighbor and start talking," the Facebook boss continued. "I have a desk out there just like everyone else. ... That kind of collaborative and connected culture is what produces the best products for the people who are going to use them." His philosophy on how to run a modern company may ultimately change the face of business moving forward. Friday's massive IPO did many things, but one of the biggest, coming in the midst of an ongoing financial crisis created by men in suits, was to prove that the future doesn't smoke cigars in executive lounges, it wears a hoodie and sits with the engineers who make it all happen. You can see it all for yourself as MTV re-airs "The Diary of Facebook" Saturday (May 19) at 9 a.m. the doc is also available online at MTV.com. Related Videos The Diary Of Facebook

You could buy nearly seven million pair of Bulgari Bono sunglasses with the cash.By Gil Kaufman U2's Bono Photo: D. Dipasupil/ WireImage U2 singer Bono was already an obscenely wealthy man before Friday's (May 18) Facebook IPO
. But thanks to the 2.3 percent stake in the social networking site held by his Elevation Partners investment group (it is unknown how much of the Facebook take is directly held by Bono) it was reported that his nest egg could grow exponentially when Friday's first day of trading on the company's stock is over. The total haul? More than $1.5 billion
, which is not bad for a day's work. If those figures are true, he may become the richest rock star on Earth, sitting on a massive pile of green that could allow a man who already had the world at his fingertips to push into a rarified stratosphere that's the envy of the many one-percenters he already counts as friends. According to Rolling Stone the singer, who cannot sell all his shares at once, has pledged to use much of the money raised from his investments to aid charity work in Africa. What could $1.5 billion buy you? We broke it down, by-the-numbers: 1.3 million Bono has always made charity a big priority and one of his biggest pushes in recent years is the One Campaign and associated clothing and accessories lines (RED) and EDUN, which help stimulate trade with poverty stricken countries. With the Facebook cash, you could buy more than 13 million of the (RED) edition $1,109 Bugaboo Donkey Twin strollers. 6.9 million Famous for his signature Bulgari shades, if Bono were to get his hands on the full stash, he could hit the Amazon.com marketplace and get nearly seven million pair for cheap at $215.77 a piece. 12.5 The giant claw stage that U2 schlepped around the world for their record-setting 360 Tour was insanely expensive. With each of the three structures they built coming in at $40 million a piece, Bono could build nine more with the Facebook loot. 300,000 Speaking U2 tours, on their famous 1992 Zoo TV outing, one of the highlights were the blinged-out Trabant cars that were hung from the lighting rigs. The famously low-budget East German cars were never expensive, but if Bono were ever thinking of expanding his car collection, he could snatch up more than 300,000 1989 models for the money. 39.4 million: In the recent documentary, "From the Sky Down," U2 basically admitted that they'd gotten a bit full of themselves by the time their 1988 ode to Americana, Rattle and Hum, was released. If Bono is feeling especially embarrassed about all the cowboy hats and blues discovery of that era, he could try to wipe out some trace of it by buying nearly 40 million Blu-Ray copies of the DVD from Amazon. Related Artists U2

'Love To Love You Baby' singer dies on Thursday (May 17) after long battle with cancer.By Gil Kaufman Donna Summer Photo: Fotos International/Getty Images Donna Summer, the powerhouse singer known as the "Queen of Disco," died on Thursday (May 17) in Florida after a battle with cancer, according to TMZ. The five-time Grammy winner who set dance floors ablaze in the 1970s with such anthems as "Last Dance," Hot Stuff" and her most iconic hit, "I Feel Love," was 63-years-old. In a genre that was filled with many one-hit wonders and fly-by-night studio acts that were unable to keep the disco inferno stoked after scoring hits, Summer was a lifer, consistently charting even after the dance craze faded in the late 1970's. For photos of Donna Summer through the years, click here. Unlike many of her contemporaries, Summer set herself apart with strong vocals backed by her songwriting skills, as well as some creative luck in hooking up with producers/songwriters Giorgio Moroder and Pete Bellotte. The pair helped her pumped out hit-after-hit and provided her with a sensual, almost ethereal sound on tracks such as "I Feel Love," which seduced both on and off the dance floor. Born LaDonna Adrian Gaines on December 31, 1948 in Boston, Massachusetts to a butcher father and schoolteacher mother, Summer showed promise as a singer from an early age. She made her public debut at age 10 at her church when the scheduled singer didn't show up and she filled in. After appearing in a number of musicals and plays in high school and singing with the psychedelic rock band The Crow, she joined the cast of German production of the musical "Hair" in 1967 at age 18. She stayed in Munich after the show's run ended and recorded her debut solo album there in 1974, Lady of the Night. Though it spawned a hit overseas with "The Hostage," she didn't crack the U.S. market until a year later with the song that would make her an international superstar, the seductive disco anthem, "Love to Love You Baby." The tune she created with Moroder and Bellotte was a #2 hit in the U.S. and landed her an American record deal with the it label of the era, Casablanca Records. The 17-minute club remix of the single, which featured such real-sounding ecstatic moans that some radio stations refused to play it, became a huge hit and set a new standard for sophisticated arrangements in a genre often marked by cheesy sounding instrumentation and lazy songwriting. She released two albums in 1976, A Love Trilogy, which featured the nearly 18-minute epic "Try Me (I Know We Can Make It Work)," and the winter/spring/summer/autumn-themed Four Seasons of Love. In a singles genre where the song as the thing, Summer continued to put out consistently artistic albums, including 1977's I Remember Yesterday, which featured the song that would secure Summer's place at the top of the disco diva pecking order, "I Feel Love." That hypnotizing song was also the first one recorded with a backing track made up entirely of synthesized sounds. This being the era of excess, her second 1977 album, Once Upon A Time, was another concept disc, this one retelling the Cinderella story in the disco era on tracks like "Once Upon a Time," "Fairy Tale High," "Working the Midnight Shift" and "Queen for a Day." She transitioned into acting in 1978 in the disco comedy "Thank God It's Friday," which earned her a Grammy for Best Female R&B Vocal for the hit "Last Dance." By 1979's two-album Bad Girls she was indisputably a star, logging six weeks at #1 and scoring hits with the sexy "Bad Girls" and more rock-oriented "Hot Stuff." When Summer released a double-album greatest hits disc later that year she became the first artists to ever score three #1 albums in a row with double-disc releases. She went on to score hits with a Barbra Streisand duet and moved over to the then-new Geffen Records, where her success began to wane a bit. By 1983, she'd moved past the disco sound and into a synth-heavy R&B/new wave sound with the female empowerment anthem "She Works Hard For the Money." That song, though, would effectively mark the end of her hit-making days. Summer continued to release albums through the late 1980's, but was never again able to capture her disco peak. In fact, by the end of the decade she spoke out against the "sinful" nature of her disco hits and turned her back on her earlier material and focused on painting. After a 17-year break, she released her first studio album of original material, Crayons, in 2008. Related Photos Donna Summer: The Queen Of Disco Related Artists Donna Summer